With a backdrop of changing political times in America and the continuing worldwide economic crisis, political satire is experiencing a renaissance in New York City. 
Poster Boy NYC makes the city's gaudy billboards his canvas - described as an anti-consumerist Zorro with a razor blade - he cuts out and re-arranges advertisement elements to make both political and satirical statements about contemporary issues. His belief is a simple one, one man's vandalism is another's political art - turning Subway stations into his own public art gallery.